We nabbed ace game designer Brandon Bozzi for a great, funny interview about the design process and the economy of free-to-play games. We’re sad to report that Smash Squad, the game he was working on and discussing, has been axed since we recorded this, but we felt that the conversation was worth hearing anyway. We hope to have Brandon back on in the near future to talk about his next project, which for now must remain a mystery.
“I have a theory about the Joker,” said the most pretentious nerd ever.
Okay, now that I’ve acknowledged my extreme worthlessness, let’s get on with it. I think it’s impossible for the Joker to have a satisfying origin story. I don’t mean that there’s no writer good enough or idea captivating enough to work. I mean that any satisfying origin story cannot work for the Joker by definition.
There are many, many explanations for The Joker peppering the literature. Some of the most interesting takes on his background (like The Killing Joke, which does contain some remarkable writing despite its vile and demeaning treatment of Barbara Gordon) acknowledge that they are on shaky ground at best, or even outright lies spun by the least reliable narrator. Some of the best interpretations of the character (The Dark Knight, duh) don’t bother explaining him at all, and this gets at the heart of my argument.
While he was occasionally little more than a clown- or playing-card-themed villain (see the Silver Age Batman comics for examples), he has largely been an agent of pure chaos*. When he lapses into logic, it’s invariably to show Batman how puny and unreliable reason is when confronted with reality–using logic to refute itself. The best Joker stories revolve around his provoking Batman to question or abandon his ideals, and he invariably wins by losing. He personifies the second law of thermodynamics, and that’s why he’s so compelling and terrifying: he reminds us that death is inevitable and the universe is uncaring.
He’s not a person so much as he’s an abstraction. That’s true for many comic book characters (e.g. The Hulk is rage), but in his case it limits his personhood much more sharply. Rage and other heroic/villainous qualities are human, but chaos transcends humanity–heck, it transcends what we think of as reality. If you are chaos, then you aren’t a person with a history, much less an origin story.
The Joker can either be a terrific iconic villain, or he can have an interesting backstory. But maybe what we need is more contradiction. I’m all in favor of adding more and more canonical origin stories to the mix until eventually we realize that they’re all wrong and misguided and unimportant. Tell us all the lies and one day we’ll see the truth.
And so it goes. Gotham has been nodding and winking about The Joker’s origin even as it’s been ducking and weaving in an effort to avoid the inevitable. If we’re all lucky (especially the showrunners), it’ll be cancelled before the big, unsatisfying reveal. Or maybe they know what they’re doing and can find a way to just call down the Joker without explanation. I’d watch the hell out of that.
* When I use the word “chaos,” I don’t mean random or ever-changing. I mean a state that reflects complexities our minds aren’t complex enough to understand. It’s the natural order of the universe that can’t be compressed into the artificial order we create with our minds. I swear to god I am not high.
We’re all over Stranger Things, Netflix’s homage to all of the 1980s. They may have poached Mary’s memoir title, but we can’t hold that against them because the show is just that perfect. When we recorded, Mary had binged the hell out of it while Rob had just dabbed a pinky toe in, but our enthusiasm is loud and clear (and correct).
- Watch it on Netflix
- Yep, they’re getting a second season
- Take heart, creators! They got rejected by 15-20 networks before landing on Netflix.
- Stranger Things and D&D
- AV Club review of the pilot (their TV coverage is outstanding!)
- Article about all the 80s references in the series
- Nerdist explains all the visual references
You guys. I just watched the finale of AMC’s Preacher adaptation–the one we talked about a few weeks back–and I’ve got some thoughts. If you’ve never read the comics and don’t intend to, skip down to the heading “OK, THEN, LET’S GET ON WITH IT.”
First, I need to revise what I said about the comics. I’ve reread the series since that episode, and the icky stuff is ickier than I had remembered. The comics’ attitudes toward women, people of color, and especially LGBTQ people are conflicted at best. Writer Garth Ennis consistently calls out and makes fun of bigotry–yay! At the same time, he uses gay male sexuality as a punch line so often that it feels like self-parody. As for the theme of modern American men coming to terms with women’s equality, yeah, it’s in there–but I don’t think Ennis went deep enough to pull it off. He could have taken one more step and created a fascinating take on women’s deaths as plot devices (“fridging”), but he never quite gets there, sticking instead with a fairly standard romance. Sigh.
But it’s silly to talk about what someone else’s work could or should have been. It is what it is, and what it is is problematic. The best of the series is still fantastic, but the worst of it is puerile.
What about the AMC series? It diverges so massively, in so many ways, from the comics that it’s like hearing that Avatar was based on The Smurfs. If you’re a fan of the comics, expect major differences in plot, characters, and relationships. Many of these changes were necessary to adapt the format to multiseason drama, but some are just inexplicable:
- Jesse and Tulip knew each other as children instead of meeting by chance in a lurv-at-first-sight moment.
- Arseface’s father is a tough, confused, but loving dad instead of a monstrously hateful bigot.
- The pathetic second-string angels Fiore and Deblanc are elevated to big-bad status, sort of.
- Jesse’s congregation survives his first taste of Genesis.
If Ennis and artist Steve Dillon weren’t involved in the production, I’d blame show creators Seth Rogen and Evan Goldberg for letting their self-indulgence run wild. But it could be they’ve just decided to tell a very different story, and it seems as if they’ve shed much of the most problematic material from the books.
OK, THEN, LET’S GET ON WITH IT
The show is lovely. It alternates densely-packed action with long, dawdling moments of conversation against a backdrop of Texas wasteland. The basic narrative of the show takes its time to develop, but here’s the elevator pitch: A troubled preacher with a past accidentally becomes the host for a power that rivals God’s.
The acting is terrific across the board. Dominic Cooper works surprisingly well as the lead, despite shifting the character away from the strong silent type toward someone more comfortable using his mind-control power. Ruth Negga is brilliant as Tulip, stepping up her game from Agents of SHIELD while baiting the racists and delivering one of the best character introductions in modern memory. Joseph Gilgun (Misfits) is perfect as Cassidy the vampire, full stop. And oh god Jackie Earle Haley kills it as bad guy Odin Quincannon.
The dialogue is good fun, and the exposition is never insulting, even though there is quite a lot of it. The show looks and feels unsettling and hyperreal, as if something terrible is just about to happen. (It usually is.) My one faint critique is that the first season felt like it was all just a setup for the next. It was a fun ride, but we didn’t get very far.
So! It’s definitely worth watching, unless your tolerance for violence is low-to-middling. It’s somewhere between Breaking Bad and The Walking Dead, so it’s not for everyone. If you can handle blood spatters, lovingly rendered shotgun blasts, and cries of “He shot my dick off,” you’re all set.
Pokemon WHAAAA? Mary tells us all we need to know about this quick-burning craze that is swallowing people’s data plans whole even as it enforces unprecedented exercise goals on unsuspecting nerds. Rob explains shutting it down after discovering that his closet is infested with Zubats, while Paul wryly observes his son’s dealings with this reality we call augmented.
- Official Pokemon Go site
- Someone caught them all.
- New York just prohibited registered sex offenders from playing Pokemon Go because their legislators are deranged.
- Yep, someone found a body.
- Cops crashed a 3am Pokemon party in the park.
- Lindy West on Pokemon Go.
- Our pals at A Podcast For All Intents and Purposes go Pokemon.
The World of Warcraft: Legion pre-patch came out just over a week ago and the thing I’ve spent the most time doing is playing with the new transmogrification interface. For the uninitiated, WoW allows you to re-skin your armor with the appearance of other items you’ve obtained.
I’m not the only one obsessively playing dress-up… the first few days after the patch the transmog NPCs in every city were mobbed with players. It looked like a Black Friday sale at Wal-Mart. I’ve already built nine outfits for Lucythia, my main character, and at least two for most other characters I have. Which is a lot.
Previous to this patch any item that you might want to use for transmogrification had to be stored in your inventory (in your bags, bank, or Void Storage), which meant that those of us who love to transmog could quickly run out of space. With the new interface every item you’ve ever received as a quest reward or as a drop is now available account-wide in a nice searchable interface, so you can sell all the armor that’s been cluttering up your storage. The interface shows you how your character will look in each item, and you can choose to hide your helmet, shoulders, and/or cloak. It also allows you to save outfits—and name them—so you can easily switch between appearances (for a modest sum of gold, of course).
Below is a gallery of a few of the looks I’ve put together… since each wardrobe change costs a little over 300 gold for me, I’ve just included the dressing room images here, except for the outfit each character is currently wearing. Enjoy!
I meant to do a post about this game during E3 because it is seriously up my alley. Developed by Compulsion (who also brought us Contrast), We Happy Few is a first-person survival stealth adventure game, and it’s currently available for play on Xbox One Game Preview, Steam Early Access, and GOG.com Games in Development. I’ve seen it compared to Bioshock, and once you watch the trailer and gameplay below you’ll see why. The retro, dystopian landscape populated with violent masked denizens feels very much like Rapture. I’ll definitely be checking it out.
As always San Diego Comic Con was filled with trailers: some made me feel better about things I wasn’t sure about, some just whipped my excitement into a frenzy, and still others that… well… Anyway here’s a quick round-up of some of the trailers I watched:
Trailers That Made Me Go SQUEE
These trailers legitimately gave me goosebumps when I watched them.
I CAN’T WAIT FOR THIS. Of all the trailers this is the one that I lost my mind over, the one I keep watching over and over. The casting is spot-on, with every new announcement building my glee. The trailer looks like how the book feels which is exactly what you hope for in an adaptation. Look for an upcoming episode of Nerdhole where we’ll turn you onto the novel by Neil Gaiman so you can read it (or re-read it) before this show finally drops in 2017.
HOLY CRAP. Based on what we’ve seen of Cage in Jessica Jones and what this trailer has to show, it’s going to be fantastic. And Mike Coulter… SWOON.
Some of the best panels at SDCC are always at Zachary Levi’s Nerd HQ, and this year is no different. So far this year the panels are some of Zach’s friends and favorites, including Nathan Fillion, John Barrowman, and Felicia Day. Some of the ones I’ll be watching that are still to come: the Orphan Black panel (the 2014 OB panel was OFF THE HOOK) and (SQUEE) an American Gods panel!!!
Hey, it’s a Nerdhole sampler! We talk about a cool, short book by Kai Ashante Wilson, the sweet new video game by the folks behind Limbo, and a board game that briefly made NASCAR seem interesting. And we managed to bust out an entire podcast without talking about television. Achievement unlocked!
- Excerpt from The Sorcerer of the Wildeeps
- Free Wilson novelette from Tor.com: The Devil in America
- Interview with Kai Ashante Wilson, well worth a read
- Inside page with purchase links
- Yep, the music really was made using a human skull.
- Mary has since finished the game and thought the ending she reached was “kinda bullshit.” This article theorizes on the endings (spoilers, duh).
- BoardGameGeek review of Thunder Alley
- Rob Heinsoo recommended both Sorcerer and Thunder Alley, and you should be sure to check out his upcoming Legendary expansion based on Big Trouble in Little China. We playtested it and it is delightful–his blog has some neat previews and design notes.